Index
- Project link pages
- Power amplifiers
- Professional audio amplifier circuit diagrams
- Car amplifiers
- Tube amplifiers
- Mixers circuits
- Differential/balanced input and output circuits
- DI-box circuits
- Microphone preamplifiers
- Building microphone
- Microphone accessories
- HiFi preamplifers
- Phono preamplifiers
- Other preamplifiers
- Audio controlling circuits
- Equalizers and filters
- Crossovers
- Compressor/limiter
- Guitar effect boxes
- Vocal elimination
- Noise limiter / noise gate
- Misc effects
- Surround sound
- Digital audio circuits
- Measuring
- Special equipments
- Design ideas
- Audio chips
- Other related links
Audio circuits to build
The following links to circuit diagrams and building projects I have found from other web sites. I have tested only very few of them so there is no guaratee that those circuit will work as expected. I don't have more info on those projects than what you can download from those sites which have the circuits. If you have more questions about those circuits then please mail the questions directly to the person who has designed the circuit or to the people responsible for those web pages.
- Analog Music Zone Guitar Effects Schematics - guitar effects, compressors, microphones and effects Rate this link
- Audio Electronic Design - hifi circuit page in French Rate this link
- Elliot Sound Products Audio Projects - mixture of basic and not so basic designs Rate this link
- Pro Audio Equipment Schematics Page - Alan Garren's excellent listing of vintage gear schematics including API, UREI, Altec, RCA and more Rate this link
Project link pages
- 2 Watt Amplifier - low distortion amplifier using discrete components Rate this link
- 3 Transistor Audio Amp (50 milliwatt) - Here is a little audio amplifier similar to what you might find in a small transistor radio. Rate this link
- 8 Watt Audio Amp - based on LM383 Rate this link
- Build a Class-A Amplifier - This is an amplifier design made by Nelson Pass publishes at 1977. This amplifier gives out 20 watts per channel into 8 ohms, 24 watts into 6 ohms, and 28 watts into 4 ohms. The amplifier is powered from 120V AC power. Rate this link
- Cheap thingies to help you make some racket - small amplifier circuits using many amplifier ICs, from few watts to 200W Rate this link
- Emitter-follower-power-amplifier - very low power (110 mW) expereimental simple design Rate this link
- Hiraga Le Classe A 20W Rate this link
- Lidstr??m Improved ZEN i - class A FET amplifier Rate this link
- Low distortion audio amplifier - ultra-low distortion 30W power amp Rate this link
- Low Power Audio Amplifier - based on LM386 Rate this link
- Power amplifier has transient rail-to-rail swing - special common-drain MOSFET-based power op amp circuit Rate this link
- "Quick and Dirty" Audio Amplifiers - For those of you who like to experiment with audio circuits and would like a "quick and dirty" amplifier that frees you from having to figure out the biasing resistors, this article has two for you (and they run off 9 Volts too!). One uses an opamp and the other used a transistor. Rate this link
- Sanken Hybrid Audio Power Amplifier Data - technical data and application circuits for 10-50W amplifiers Rate this link
- Simple Class A Amplifiers - a 10W design by J. L. Linsley Hood Rate this link
- The Pass Zen Amplifier - 10 Watts of Single-Stage Single-Ended Class A Rate this link
- Death of Zen (DoZ) - A New Class-A Power Amp Rate this link
- DoZ Headphone Amp: A New Use For The Class-A Power Amp Rate this link
- 25W Class-A Hi-Fi Power Amplifier Rate this link
- 50 Watt Amplifier - easy to build general purpose 50 watt amp Rate this link
- 60 Watt Into 8 Ohms Power Amplifier - a simple amp to build, uses commonly available parts and is stable and reliable Rate this link
- Ampli MOSFET - DIY high power MOSFET amplifier 200 Wrms 8 ohms - 350 Wrms 4 ohms Rate this link
- Ampli MOSFET 360W - This is a circuit for 360 W rms 8 ohms or 550 Wrms 4 ohms powerful amplifier. The plans are available in English and French. Rate this link
- Bridge/Parallel Amplifier (BPA-200) Documentation - This document provides a 200W audio amplifier solution using multiple LM336s and and design concept to reach even higher output power levels. Rate this link
- El-Cheapo - A Really Simple 60W Power Amplifier Rate this link
- Korkeallatuinen stereovahvistin 2 x 220W - This is a builging plan for an audio amplifier with 2 x 220W output power. Text is in Finnish. Rate this link
- P400 hi-fi high end audio power amplifier - amplifier with 382W to 8 ohms power rating, can drive speakers at 2-16 ohms range Rate this link
- SDS Labs Schematics - solid state class A amplifiers Rate this link
- Simple 200W amplifier Rate this link
- Single Chip 50 Watt / 8 Ohm Power Amplifier - uses LM3876 hifi amplifier IC from National Semiconductor Rate this link
- The Leach Amp - 120W power amplifier, latest update of the "Low TIM Amplifier", claimed to be a very good sounding design Rate this link
- The Leach SuperAmp - 270 watt Double Barreled Amplifier published in Audio magazine Rate this link
- The LM12 - chip which can be uased ot make simple 80W amplifier Rate this link
- Vahvistin National Semiconductorin LM3886 piirill?? - Amplifier circuit which uses LM3886 IC. Text of this document is in Finnish. The article includes circuit diagram and circuit board design. The LM3886 is a high-performance audio power amplifier capable of delivering 68W of continuous average power to a 4Ohm load and 38W into 8Ohm with 0.1% THD+N from 20Hz-20kHz. Rate this link
- Gainclone - A LM3886 based Gainclone amplifier with input buffer and phase inverter for bridge connection. The LM3886 delivers around 68 watts and peak power of 120 watts. Rate this link
- TDA7294 - The TDA7294 is a monolithic integrated circuit in Multiwatt15 package, intended for use as audio class AB amplifier in Hi-Fi field applications (Home Stereo, self powered loudspeakers,Topclass TV). This IC datasheet gives example circuit for up to 100W amplifier using this IC. Rate this link
- Cheap 100 to 150 Watt Amp - Here is a simple and cheap amp to make Rate this link
Power amplifiers
Low power (<30W)
High power (>30W)
- Brystom Power Amplifiers Circuit Diagrams Rate this link
- Crest Audio LT Series LT100, LT1500 and LT2000 Schematic Set - A commercial Class D Amplifier, complete schematics in pdf format. Rate this link
- QSC Audio has Rate this link
- Renkus-Heinz Schematics Rate this link
Professional audio amplifier circuit diagrams
- A conceptually new high-frequency switched-mode power amplifier technique eliminates current ripple - Paper about Class D amplification, contains lots of background information. Rate this link
- Point to Point Versus PCB Amps - What's the difference? Rate this link
- Star Grounding in Tube Amplifiers Rate this link
- The Class-A Amplifier Site - Primarily dedicated to the John Linsley Hood Class-A amplifier designed in 1969 and updated in 1996. Copies of the original articles and additional design and construction information. Rate this link
Other related documents
- Car amplifier information and schematics Rate this link
- Car Audio Schematics - car amplifiers Rate this link
- Car tube pre amplifier Rate this link
- Do It Yourself Car Amplifier - This article is for those who wants to make their own car amplifier. The basics of calculation will be discussed below. If you have understand it you will be able to make car amplifier based on Rate this link
- A DC Fault Protection Circuit for Audio Amplifiers - circuit ideas how to replace traditional CD protection relays with MOSFETs Rate this link
- Bridging Adaptor For Power Amplifiers - The bridging adapter shown in this article can make an amplifier produce almost 4 times the power for the same impedance - but beware of the pitfalls. Rate this link
- Loudspeaker Protection and Muting Rate this link
- Loudspeaker Protection and Muting Rate this link
- Power Follower with Dinamic Current Source by Reinhard Haffmann - less wasted power than true class A but not as good sound Rate this link
- Power Amplifier Clipping Indicator Rate this link
- Soft Power On Tester for Amplifiers Rate this link
- Speaker protector Rate this link
- A DIY Headphone-Amplifier with Natural Crossfeed - The in-head localization phenomenon of the headphones does not please many people. A "natural" crossfeed from the right (left) audio signal to the left (right) transducer, with an appropriate attenuation and delay, will reduce most of the adverse symptoms of headphone listening considerably. Rate this link
- An Acoustic Simulator for Headphone Amplifiers - a simple RC filter that creates a more realistic sound image in headphones by electronically mimicking spatial hearing with "shaded" interchannel crossfeed Rate this link
- Build These Noise-Canceling Headphones - plus Binaural Microphone Headset, Audio Probe, and Parabolic Microphone Rate this link
- Designing an Opamp Headphone Amplifier - This article has design information and many circuit examples Rate this link
- HeadBanger Headphone Amp Construction Kit Rate this link
- Headphone Amplifier - designed for Sega Megadrive, but can be used with other line level signal sources, Originally published in ETI, December 1994 Rate this link
- Headphone Amplifier from SDS Labs - uses a push-pull Class A MOSFET output stage, being driven by an op-amp Rate this link
- HeadWize Projects - many headphone amplifiers and related circuits Rate this link
- Kumisa Mk. II - DIY headphone amplifier project using AD844 and some special transistors Rate this link
- Mapletree Audio Designs (MAD) Ear+ Stereo Headphone Amplifier Kit - This tube headphone amplifier kit manual has building instructions and full circuit diagram of this device. Rate this link
- QRV-04 - The high performance SMD headphone amplifier - Cute SMD headphone amp designed especially for OPA134, OPA627 and AD8610 plus a buffer BUF634. Rate this link
- SDS Labs Headphone Amp - solid state amplifier Rate this link
- Top-Level OTL Tube Headphone Amplifier Rate this link
- Ultra Simple Headphone Box - Here is a very simple passive headphone box that works really good and can drive many headphones. You have to rely on the power of your power amp or your headphone out of your amp or your mixer headphone out to power it. Because there are no active components, there is very little that can go wrong with it and it is very quick to make. Because there are no potentiometers, you are not able to adjust the individual volumes of each headphone. Rate this link
- HJ-4P Professional headphone distribution box - drives up to 4 headphones from a single amplifier, has volume control and mono switch, product datasheet with circuit diagram in pdf format Rate this link
- HJ-6 Standard headphone distribution box - drives up to 6 headphones from a single amplifier, product datasheet with circuit diagram in pdf format Rate this link
- 100W Guitar Amplifier - Guitar amplifiers are always an interesting challenge. The tone controls, gain and overload characteristics are very individual, and the ideal combination varies from one guitarist to the next, and from one guitar to the next. There is no amp that satisfies everyone's requirements, and this offering is not expected to be an exception. This amp is rated at 100W into a 4 Ohms load, as this is typical of a "combo" type amp with two 8 Ohm speakers in parallel. Rate this link
- ALL-FET MC phono preamp - phono preamp with 54 and 64 dB gain and RIAA accuracy is better than 0.2dB, from Rate this link
- A Pocket Headphone Amplifier - This is a portable headphone amplifier for testing purposes using Burr-Brown OPA134 opamp in a non-inverting configuration, powered with 9V battery. Rate this link
- A Transformer Coupled Linelevel preamplifier by Thorsten Loesch - This is a very simple tube based line stage. Rate this link
- Audio Preamp - simple preamp for electric guitar or microphone Rate this link
- Basic Passive Linestage - A passive linestage is simple to build and makes an excellent first audio project. Building one is a good way to practice soldering skills and construction techniques, and as no power supply or active components are required it is also a safe project for beginners. Rate this link
- DACT Passive Preamp Document Rate this link
- Driving The Power Amp: A simple line stage preamplifier project - Thos document describes one passive preamplifier design and some tube based preamplifier designs. Rate this link
- Equalized Passive Preamplifier Rate this link
- Hi-Fi Preamplifier Rate this link
- High-Performance Audio Applications of The LM833 - RIAA phono preamplifier stages and active crossover networks Rate this link
- High Performance Passive Linestage Rate this link
- Hiraga MC -Moving Coil f?rst?rkare Rate this link
- Kaneda Linjef?steg - includes phono and line inputs Rate this link
- Mic-Pre Pan Pot Circuit Rate this link
- Passive Linestages Rate this link
- Preamplifiers - This site provides many preamplif?er plans Rate this link
- Simple Car Preamplifier and Artificial Earth Rate this link
- Simple Guitar Preamplifier Rate this link
- The TNT Pressive?: A DIY passive preamplifier Rate this link
- Vanhat vinyylilevyt CD-levyiksi tai MP3-kapetiksi RIAA-korjaimen avulla - This is a simple RIAA preamplifier that can be plugged to a PC soundcard. The text of this document is in Finnish. Rate this link
- An experimental RIAA preamp using no capacitors in the direct signal path - The purpose of this report is to describe an experimental RIAA phono preamp that uses several different concepts to derive a high quality RIAA compensated phono preamp. Traditional RIAA compensation is done by way of resistors and capacitors to shape the frequency response. There are alternatives that use L-C-R networks to derive this compensation. In this preamp, we will use L-R only networks. The preamp uses unusual tubes. Rate this link
- Power Amplifier Design Guidelines Rate this link
- LM12CL - very compact IC for making good quality 80W audio amplifier, this IC has been used in some high quality active loudspakers Rate this link
Car amplifiers
Power amplifier accessories
Headphone amplifiers
Headphone amplifier accessories
Instrument amplifiers
Preamplifiers
Historically, the job of a pre-amp was to boost incoming signal levels from your turntable or tuner to drive the the amp powering your speakers, and also to provide some switches and knobs for functions like volume control, source selection, and perhaps tone control. Nowadays you might sometimes see terms "passive preamplifier" or "passive linestage" and wonder what it means. Here is the description what they are: A passive linestage is an unpowered device typically located between the source components and the power amplifier/s. Because it is in the position which would otherwise be occupied by a preamplifier, and because it performs many of the same duties as a preamplifier, it is often referred to as a passive "preamp" although that term is not really accurate. Actually, the term "passive preamp" is slightly misleading. The word preamp or preamplifier is not supposed to be a passive device, as a passive device may not provide amplification. So a better term than passive preamp would be passive volume control or passive control center. The attenuator is enough for many uses, because with modern CD players and other sources providing sufficient output level to drive an amp to full output, a pre-amp doesn't necessarily need to provide gain anymore. Almost all modern audio source components (CD, DVD, tuner, DAT, etc.) will output a signal which is more than capable of driving a power amplifier. Volume control and source selection are still important, though. The passive preamplifier is a device that provides the gain control (variable attenuator controlled by potentiometer or switched resistor network) and source selection (set of switches). It may also include other features such as balance, muting, tape monitor selection, record out signal selection, channel switching, stereo/mono selection, channel reversing, headphone output, etc. Passive preamps have gained popularity in high-end audio circles. Provided that a high quality volume control is used, a passive preamp is often the easy and cheap way to reach high-end sound quality. Obvious advantage of parrive design is that there is no active or non-linear components no circuits, therefore no distortion! Unfortunately there tends to be a high output impedance and high capacitance.
Application notes and datasheets
- A hybrid amplifier using a 5687 tube and Magnatec PowerMosFets Rate this link
- Ampage - tube amps and music electronics Rate this link
- Bob's Music/Vacuum Tube Audio / Electronics page - many amplifier circuits Rate this link
- Car tube pre amplifier Rate this link
- Dynaco Mark 3 Rate this link
- Dynaco stereo 70 Rate this link
- Get more power with a boosted triode - Even though 6L6 beam-power tubes have been around for 66 years, they are still quite popular for use in electric-guitar amplifiers, and its cousin, the 6CA7 (EL34) power pentode, is a favorite among audiophiles. This design idea shows the 6L6 connected as a pentode, a true triode, and a "boosted triode," respectively. The boosted-triode configuration allows pentodes to produce pentodelike power while operating in a true-triode mode. Rate this link
- Klassiskt 300B slutsteg Rate this link
- Klaus Schiffer's audio web site - tube amplifiers and tube information Rate this link
- Les projets en cours - tube amplifiers Rate this link
- Musical Instrument Tube Amp Building, Maintaining and Modifying FAQ Rate this link
- Pure A class - 15W pure A class and push-pull Rate this link
- SDS Labs Schematics - solid state class A amplifiers, headphone amplifier, vacuum tube amps Rate this link
- Sheldon's Audio Designs - audio DACs and tube amplifiers Rate this link
- Traynor Amplifier Schematic Archive Rate this link
- Vintage Quad equipment circuit diagrams Rate this link
- Quad 22 - circuit diagram of commercial tube amplifier Rate this link
- 2 x 40 W Valve amplifier with active grid biasing - In this document you will see that the amplifier is built with only 5 vacuum tubes. The circuit is a classic push-pull amplifier using an output transformer with a center tap. This topology is widely used for tube amplifiers. Rate this link
- 40 Watt Tube Guitar Amp Rate this link
- Building a Champ out of Junk Parts - This is a modification of original schematic from the 60's of a "Blackface Champ" tube guitar amplifier. Both original and modified version versions are shown. Rate this link
Tube amplifiers
- Phantom Power Supply Circuit - A power supply for adding 48 volt phantom power to microphone preamps Rate this link
Tube amplifier related circuits
- 6 Input Mixer - 3 line inputs and 3 mic inputs Rate this link
- DACS (distributed audio control system) - description of the design of a digitally controlled distributed mixing system Rate this link
- High Quality Sound Mixer - very ambitious and expected to be very expensive mixer project, modular design Rate this link
- Microphone Mixer - designed for three dynamic microphones Rate this link
- Rane MP 24 Mixer Service Manual - This service manual includes the the device circuit diagrams. Rate this link
- Simple audio mixer for two signal sources Rate this link
- Single capacitor powers audio mixer - micropower and low-voltage op amps allow you to build high-performance analog-signal processors that require no batteries or wall transformers, this simple mixer is powered using one large capacitor such as a Supercap or Dynacap for some time Rate this link
- Stage and Recording Mixer - full featured modular mixer design Rate this link
- Simple Line Mixer and Patchbay - Make a simple line mixer to run the sound modules through in the studio. This mixer as simple as possible because of the time factor, and also to avoid unnecessary noise that a more complex design could create. It consists of 5 stereo inputs to plug in 5 stereo sound modules and a stereo out with volume controls. Rate this link
Mixers circuits
- A Two-Channel Noise Gate - Analog Devices application note AN128 Rate this link
- An Unbalanced Mute Circuit For Audio Mixing Channels - application note in pdf format Rate this link
Mixer circuit parts
- A New Balanced Audio Input Circuit for Maximum Common-Mode Rejection in Real World Environments - 109KB PDF file Rate this link
- Audio Transformers - notes on using audio transformers for balanced signal interfacing Rate this link
- Additional RFI Protection for Line Input Circuits - 8KB PDF Rate this link
- External Isolation Transformer Box for Mackie (and other) Mixers Eliminates RFI Problems Rate this link
- High CMRR Balanced Interface for Crystal 18 or 20 Bit A/D Converters - pdf file Rate this link
- Internal Modification to Mic Inputs of the Mackie 1604 Mixer Eliminates RFI Problems Rate this link
- JT-6110K-B at Input Stage for Crystal A to D Converters - high performance transformer balanced input stage for Crystal A/D converters, pdf file Rate this link
- JT-11P-1 Balanced Tube Line Input Stage Rate this link
- JT-11SSP-6M as Input Transformer for Crystal CS5367 A/D Converter - transformer balanced passive input circuit for CS5367 A/D converter, pdf file Rate this link
- JT-16-A Improves Performance of SSM2015 Mic Preamp IC Rate this link
- JT-16-A Improves Performance of SSM2017 Mic Preamp IC Rate this link
- JT-MB-C in Low Noise, High Isolation Line Receiver for Low-Z Sources Rate this link
- JP-11P-1 Input transformer improvement for electronically balanced input Rate this link
- Jensen Transformers Application Schematics - many circuit examples with transformers Rate this link
- JT-MB-C Isolates both Mic and Line Inputs of Inexpensive Mixer Rate this link
- JT-MB-C Mic Input Isolation for Mackie Mixers Rate this link
- JT-MB-C "Real" Mic Inputs & Phantom Power for Sony DAT Rate this link
- Making Differential Probes - for sensing audio signal voltages across devices which are not ground referenced Rate this link
- Subtleties count in wide-dynamic-range analog interfaces - article on balanced input designing with some example circuit topologies, Rate this link
- 12 dB Amplifier and High Current Line Driver with DC Servo Rate this link
- 20 dB Amplifier and High Current Balanced Line Driver Rate this link
- High Output Line Driver for Single Ended Power Supply - pdf file Rate this link
- JT-11-BM High Level Differential IC Output Stage with DC Servo Rate this link
- JT-11-BM High Level High Current Differential Output Stage with DC Servo Rate this link
- JT-123-S Line Driver with Feedback Around the Transformer Rate this link
- JT-123-BL High Level Low Impedance Differential Output Stage with DC Servo Rate this link
- Low Noise version of High Level Output Stage in 1031 - pdf file Rate this link
- Mixed feedback drive circuits for audio output transformers - using feedback eliminates transformer distortion and primary resistance Rate this link
- Simple 0 to 24 dB Gain Amplifier and Balanced Line Driver - 18KB PDF Rate this link
- Balancing Acts - balanced and unblanced interface circuits using tubes Rate this link
- Balanced Line Driver & Receiver Rate this link
- Balanced Line Inputs/Outputs for Silicon Graphics Workstations - balancing using transformers Rate this link
- Bridging Line Amplifier - transformer balanced input and output with amplifier in between Rate this link
- Line-level transformers in High-End Audio - discussion on using audio transformers in equipment interconnections Rate this link
- Grounding and shielding in balanced inputs and outputs which are transformer coupled Rate this link
- JT-11-YZPC in Unbalanced Long Line Driver/Isolator Rate this link
- Long Lines Driver - high current output configuration is ideal for use as a transformerless long lines driver Rate this link
Differential/balanced input and output circuits
Input
Output
Input and output in same circuit
Other circuits
- A Direct Box can be inDIspensible - DI-box converts high impedance signal to a low impedance and converts unbalanced signal to balanced Rate this link
- AV-1 Tech Sheet (Direct box) - DI-box product datasheet which includes full circuit diagram, has line level and speaker level inputs, pdf file Rate this link
- AV-1PV Tech Sheet - DI-box with line level and speaker level inputs, with input volume control, data sheet with circuit diagram, pdf file Rate this link
- CB-1 Direct Box - unixersal DI-box product which works with guitar and keyboards, product datasheet with circuit diagram in pdf format Rate this link
- DB-1 Direct Box - DI-box with instrument and speaker level inputs, product datasheet with circuit diagram in pdf format Rate this link
- DB-4 Direct Box - four channel DI-box with keyboard or dum machnine inputs, product datasheet with circuit diagram in pdf format Rate this link
- Direct Injection Box for Recording & PA Systems - passive and active DI-box designs Rate this link
- Jensen Direct Box Transformers - data sheets have example circuit diagrams Rate this link
- JT-DB-E Standard Musical Instrument or Synthesizer "Direct Box" Rate this link
- JT-10KB-D Isolates and Converts Speaker Drive to Line Level Rate this link
- JT-11-FL provides Isolated Line Output from Guitar Amplifier Rate this link
- JT-11-FL Isolates & Converts Guitar Amp Speaker Out to Line Output Rate this link
- JT-11P-1 Conversion of Unbalanced Input to Balanced Rate this link
- JT-DB-E Full-featured "Direct Box" Application Schematic Rate this link
- JT-DB-E "Direct Box" for Very High Level Signals - takes high level line signal and outputs balanced microphone level signal Rate this link
- JT-DB-E Standard Musical Instrument or Synthesizer "Direct Box" Rate this link
- Tillverka din egen DI-box - This document tells you how to build a transformer isolated DI box. The text in this document is in Swedish. Rate this link
- Direct Injection Box for Recording & PA Systems - passive and active DI-box designs Rate this link
- Electric Crayons, Anyone? (A Vacuum Tube Microphone Preamp / Direct Box Project) - published in January97 EQ Column Rate this link
- Mike Pads and Other Small Gadgets - includes Active Direct Box circuit Rate this link
- JT-11B-1 + "Phantom" Buffer Provide Balanced Guitar Output Rate this link
- JT-11P-1 in 4-Way Active "Guitar Splitter" - from one guitar to up to 4 guitar amplifiers Rate this link
- JT-10B-D Used in Line Level 2-Way Splitter/Isolator - active line level splitter circuit with input and output isolation Rate this link
- JT-11P-1 in 2-Way Passive "Guitar Splitter" - from one guitar to two guitar amplifiers Rate this link
- MS-2 Mic Splitter - send signal from one microphone to two mixers, product datasheet with circuit diagram in pdf format Rate this link
- MS-82P Microphone Splitter with Phantom Power Buss - 8 channel microphone splitter which can inject phantom power to microphone, product datasheet with circuit diagram in pdf format Rate this link
- Theory and Construction of Mic "Splitters" - 5 page booklet in pdf format Rate this link
- Transformer Coupled Splitter - active amplified transformer isolated signal splitter that enables hum-free connection of one guitar to more than one amp as well as having a direct output Rate this link
- IT-1 Inline 600/600 ohm line transformer - audio signal isolation transformer, product datasheet with circuit diagram in pdf format Rate this link
- IT-4 four channel isolation transformer unit - audio signal isolation transformer, product datasheet with circuit diagram in pdf format Rate this link
- JT-11-DM Basic Hum Stopper Transformer isolation box - simple isolator for 600 ohm balanced audio lines Rate this link
- JT-11P-1 Unbalanced Automotive or Consumer Application - isolation transformer box for unbalanced consumer audio line signals Rate this link
- JT-11P-1 Conversion of Unbalanced Input to Balanced Rate this link
- JS-11SSP-6M 150 ohm line to 600 ohm load application - isolation transformer with impednace conversion Rate this link
- JT-11SSP-6M 600 Ohm Line Isolation Application - isolation transformer for 600 ohm balanced audio line Rate this link
- JS-11SPP-6M 600 ohm line isolator with line termination switch - for used with long 600 ohm lines which need termination Rate this link
- JT-11SSP-6M Universal Patchbay Isolation Application - for use with professional low impedance sources and high impedance loads Rate this link
- Dual JT-MB-C Microphone Combining Circuit - connect two microphones to one microphone input Rate this link
- JT-11SSP-6M Passive Stereo Matrix for M-S Mic Technique Rate this link
- MC-2 Microphone Combiner - product datasheet with circuit diagram in pdf format Rate this link
- Simple line mixer - mix two line level sources to one signal, includes separate volume controls for both signals, passive circuit Rate this link
- Simple two line output combiner - convert consumer equipment stereo signal to mono or combine audio signal from two different equipments to one input Rate this link
- Stereo to Mono Combiner for Balanced Systems Rate this link
- Interconnection of Balanced and Unbalanced Equipment - 4 page booklet in pdf format Rate this link
- JT-10KB-D & JT-DB-E Provide "J-Box" Consumer to Studio Interfaces - from -10dBV unbalanced to 150 ohm balanced microphone level (-45dBu) signal and from +4dBu balanced signal to -10dBV unbalanced signal Rate this link
- JT-10KB-D & JT-6110K-B "Pro" to "Consumer" Interfaces - from +4dBu balanced output to -10dbV consumer equipment input Rate this link
- Grounding and Shielding - describes basic audio transformer uses like balanced in/out and signal splitters Rate this link
- Internal Modification to Mic Inputs of the Mackie 1604 Mixer Eliminates RFI Problems - adding transformer isolation increases common mode rejection and eliminates RF interference, pdf document Rate this link
- Jensen Transformers Application Schematics Rate this link
- JT-11P-1 as "Phase Splitter" with Symmetrical Outputs Rate this link
- JT-10KB-D Isolates and Converts Speaker Drive to Line Level Rate this link
- JT-11P-1 used as Unbalanced Polarity Inverter Rate this link
- JT-11-DM Converts Unbalanced Output to Balanced Rate this link
- JT-11SSP-6M Bi-directional Lo-Z Long Line Application - this circuit isolated and impedance matches under 100 ohm source to long cable line and that to over 10 kohm input Rate this link
- JT-6110K-B Isolates "70 Volt" Line and Converts to Line Level Rate this link
- JT-DB-E Converts Consumer Stereo Inputs to Mono Balanced Mic Output Rate this link
- JT-MB-C Isolates both Mic and Line Inputs of Inexpensive Mixer Rate this link
- JT-MB-C "Real" Mic Inputs & Phantom Power for Sony DAT Rate this link
- JT-MB-C Mic Input Isolation for Mackie Mixers Rate this link
- JT-MB-D Converts 600 Ohm Unbalanced Mic to 150 Ohm Balanced Mic Line Rate this link
- Mixed feedback drive circuits for audio output transformers - technical paper from Rate this link
DI-box circuits
DI-box is an electronic device for helping to interface electronic music instruments (like electric guitar and syntetizer) to mixing desks. DI boxes are used to connect instruments, e.g.bass, keyboards, directly to the console, i.e. without using a microphone. They can be passive (containing no powered electronics) or active (with powered electronics) and they are usually fitted with ground lift and pad switches. DI-box is designed to transfer the sound of your instrument to the mixing console, adding nothing and taking away nothing. The function of DI box is to convert an unbalanced, high impedence source, to abalanced, low impedence source for improved noise immunity and toavoid degradation from long (more than few meters) cable runs.The output of the DI box is connected to the balanced microphoneinput of the mixing desk. One of the most important things a DI has to do is create a balanced signal from anunbalanced signal. Typical terms you will see are "transformer balanced" and"actively balanced." The result is a balanced, low impedance sendthat can travel down a snake without coupling all manner of noise on aline or instrument level signal. Typical keyboard or other musical instrumentsuplies a low impedance, but unbalanced output (which is prone to pick upnoise on long runs).Generally DI box takes an unbalanced input and (withvarying amounts of isolation depending upon the box) provides a balancedline. It may also provide other functions - ground lifts, gain pad, etc.Many DI boxes provide also ground isolationwhich helps you to get rid of humming caused by ground loops(Hum and buzz are often caused by a connection between the mixer and ground at the guitar system.)DI-box can be used as a "splitter" when you plug (say) a guitar pickupin one 1/4" unbalanced jack and 1 /4" unbalanced patch to the guitar ampinto the other.
General information
Transformer isolated DI box designs
Active Di box designs
Signal splitters
Signal isolation boxes
Signal combining
Conversion between professional and consumer equipments
Other related circuits
- 2-wire Remot Microphone Amplifier - uses special amplifier module from Rate this link
- Amplified Ear - Useful to listen in faint sounds 1.5V Battery operation, includes electret microphone preamplifier which runs from 1.5V DC and can directly drive 32 Ohms impedance mini-earphones Rate this link
- A Vacuum Tube Microphone Preamp / Direct Box Project - from January 1997 EQ Column, includes Rate this link
- Balanced mic/line amp with TUBES - uses two 12AU7 tubes in a class-A cathode-driven input stage, followed by a class-AB1 cathode follower output stage, 6db gain, requires 90VDC and 12VDC Rate this link
- Balanced Microphone Preamp Project - simple preamplifier with phantom power Rate this link
- Condenser microphone hookup Rate this link
- DIY Speaker Testing Microphone - One problem most people have when starting to test their speakers using computer-based testing software and hardware is the mic. The mic is arguably the most important piece of the process, but the availability of high-quality, commercial mics with relatively flat response from at least 20hz to 20khz is low and those that are available are quite expensive. The whole process for building this mic yourself should take under an hour, but you'll need a few things. Rate this link
- Dual Phantom Power Microphone Preamplifier - information and full schematic of a kit available from Rate this link
- ECM Mic Preamplifier - low noise electret microphone preamplifier Rate this link
- Electric Crayons, Anyone? (A Vacuum Tube Microphone Preamp / Direct Box Project) - published in January97 EQ Column Rate this link
- IC mic preamp uses Jensen Twin-Servo topology Rate this link
- Intercom preamp - a convenient way of making an intercom is to use a loudspeaker as a microphone Rate this link
- Jensen Transformers Application Schematics - includes many microphone preamplifier related circuits Rate this link
- JT-13K6-C in Simple One IC Stage Mic Preamp - 15KB PDF Rate this link
- Kondensaattorimikrofonin esivahvistin - simple preamplifier for electret microphone, text in Finnish Rate this link
- Low impedance microphone amplifier - The circuit is a microphone amplifier for use with low impedance (~200 ohm) microphones. It will work with stabilized voltages between 6-30VDC. This circuit can be also adapted for higher impedance microphones (instructions for this are given). Rate this link
- Low Noise Balanced Microphone Preamp - very low noise, close to the theoretical minimum, high hum rejection and variable gain with a single rotary pot, similar to that used in many professional grade mixing desks Rate this link
- Low Noise Microphone Preamplifier Rate this link
- Mic-Pre Pan Pot Circuit Rate this link
- Microphone preamp - very simple two transistor circuit Rate this link
- Mu Stage Tube Mic Pre - microphone preamp based on a Jensen transformer and an Alan Kimmel designed "Mu-mode" gain stage Rate this link
- PAiA Tube Mic Preamp Rate this link
- Portable Microphone Preamplifier - This circuit is mainly intended to provide common home stereo amplifiers with a microphone input. This 9V battery powered amplifier circuit is based on a low noise, high gain two stage PNP and NPN transistor amplifier, using DC negative feedback. Rate this link
- Preamp for low-Z microphones - This is a low input impedance, high quality pre-amplifier of the sort that could be used in a stage mixing desk. This circuit is built using diescrete transistors and uses a dual rail power supply. Rate this link
- Rane MS 1S microphone preamplifier circuit diagram - This is a circuit diagram of a commercial high quality balanced microphone preamplifier. This document is in pdf format. Rate this link
- Simple microphone preamplifier - simple one transistor circuit Rate this link
- Standard Microphone Preamplifier Input Circuitry - pdf file Rate this link
Microphone preamplifiers
A mic preamp boosts the very sensitive low level (millivolts) audio signal from a microphone to a more usable level, called "line level" (typicaly from 0.1V to few volts). The mic level signal can easily be degraded by cable length, cable capacitance, and other such things. A line level signal is vastly more robust, and is the levelused to ship audio around from consoles, toprocessing equipment, to recorders or amplifiers.Typical microphone preamplifier needs to produce around 40-60 Db of gain(what is needed depends on microphone and sound level). Usually microphone preaplifiers have gain adjust option in them.
- Boundary-layer dish microphone - ideas for a directional microphone assembly Rate this link
- Build a Microphone plug - You only need a 3.5 mm plug (mono) and a very small microphone which is soldered directly onto the contacts of the plug and fits in its housing to build this small microphone for Zaurus palmtop computer. Rate this link
- Build These Noise-Canceling Headphones - plus Binaural Microphone Headset, Audio Probe, and Parabolic Microphone Rate this link
- Computer Microphone - adapting electret microphone to soundcards with dynamic microphone inputs Rate this link
- DAT-Heads Digest #195 - many electret microphone wiring tips Rate this link
- DIY microphone for Sony MD R35 minidisc recorder - simple electret microphone Rate this link
- Electret MIC Apps - an electret MIC is the best value for money omnidirectional microphone you can buy for 90% of microphone application Rate this link
- Electret microphone connection - how to connect electret microphone Rate this link
- Electret microphone powering circuits Rate this link
- Homemade Binaural Mics Rate this link
- Inductive pickup - simple device for detecting audio-frequency electromagnetic signals, such as those emanating from a loudspeaker, or it's cable Rate this link
- Interfacing Microphones to Computer Sound Cards Rate this link
- JT-MB-D Passive Stereo Matrix for M-S Mic Technique Rate this link
- JT-MB-C Used to "Phantom" Power the Realistic PZM Mic Rate this link
- Making a rugged, connectorized microphone from a Panasonic microphone capsule Rate this link
- Microphone uses phantom power - Phantom-powered microphones derive power for their active circuitry from the receiving-end circuit through the same leads that transmit the audio signal. This design uses this "phantom power" for the electret microphone capsule and a small preamplifier fitted inside microphone. Rate this link
- Modification of Panasonic backelectret capacitor microphone (WM-GOAT - DigiKey P9967-ND) - This drawing describes the conventional hookup and option where FET is connected as slource follower with 3 wires to preamp. Rate this link
- PAiA MS Microphone Rate this link
- Radio Shack Pressure Zone Microphone (PZM) Modifications - This articel gives instructionf for better power supply circuit and also other ideas. Rate this link
- Sony C-37A Condenser Microphone - information with circuit diagram Rate this link
- Speaker Microphone - circuit that allows you to use a cheap loudspeaker as a poor microphone Rate this link
- Telefunken (Neumann) U47 FET Retrofit - replacing amplifier tube with FET Rate this link
- To use a Speaker as a Mike - Using this circuit will give a reasonable output signal to drive an amplifier. The Speaker can be any size or even two in series. Rate this link
- How to make a binaural stealth mic with an old pair of headphones for around $4 - You can build a decent stealth headphone mic with the mic elements Radio Shack sells. The finished mic works well with "plug-in power" mic jacks like those on most Sharp and Sony portable minidisc recorders. Rate this link
- Furious contact microphone assembly - This is one way to put together a contact microphone. It is not the best way, but the end result is pretty satisfying and it doesn't cost much (once you have a soldering iron). The functional element is a piezo electric transducer. Rate this link
- So, you want to build a pair of binaural microphones? - Small binaural microphone pairs are popular for unobtrusively recording musical and other events. A number of people sell ready-made sets and many of them are based on the Panasonic omnidirectional electret mic capsule, which sells for around $2 a capsule, and the other associated parts and electronics bring the cost of a set of home-brew binaurals to about $20, far less than the price of a set from commercial manufacturers. Rate this link
- How to build a microphone - For decades condenser microphones have been the staple for high-quality recording and live sound assignments. Unfortunately, not everyone can afford to own a good one. Well that?s about to change. This article has been written so that anyone who wants a great condenser mic (or those who just want more of them) can have their wish. For around $20 (US) anyone can build an extremely accurate, life-like condenser microphone. Rate this link
Building microphone
- Couch Drop: Momentary on/off floor switch for microphones - data sheet with circuit diagram in pdf format, includes no-pop mute function Rate this link
- Cough Drop Momentary Muting Switch - This is a product data sheet with circuit diagram in pdf format. This circuit has no-pop mute function. Rate this link
- Phantom Power Supply Circuit - Here is are simple phantom power supply and T-power supply circuits powered from two 9V batteries. Rate this link
- Pop free Microphone on/off switch - This circuit uses a simple technique to eliminate the usual "pop" sound when an electret type microphone is switched on or off. The circuit is completely passive and will work on dynamic and electret type microphones. Rate this link
Microphone accessories
- Phono Preamp - tube design Rate this link
- Phono Preamps For All - a collection of phono preamps and equalisation circuits, one of which is sure to meet your requirements Rate this link
- QSX Mark II - The extreme phono (RIAA) amplifier Rate this link
- RIAA Compensated Stereo Preamp - Rate this link
Phono preamplifiers
A phono preamplifer is a device which converts the electricalsignal from phono player to a line level signal.The output of a record player is muchlower (few mV) than a line-output signal, and needs to befrequency-corrected (RIAA-correction) and amplified to makeit usable as other line level signal sources.A typical phono input has an EQ curve (RIAA) sloping over 40dB fromlow to high frequency. It also expects an input of ~3.0 millivolts @1KHz. If your stereo amplifier does not have an input for a record player, you should use a phono preamplifier circuit between your turntable and your amplifier. The output of your turntable follows a gain-bandwidth curve called the RIAA compensation curve. The standard AUX input on your stereo does not. Records will sound very strange without an RIAA preamp.
- A Better Volume Control - how to create a log pot that is better than the "real" thing Rate this link
- Audio level control with resistive optocouplers - Controlling the level of an audio signal by means of an applied voltage or current has always been somewhat problematical but often desirable. . This application note deals with voltage or current controlled attenuators using optocouplers, primarily in relatively static situations. Rate this link
- Audio switching applications for resistive optocouplers - Electronically switching audio signals can be a more complex matter than it might first appear. Not only are there the obvious problems of interfacing between your control logic which is running off a 5V supply and something that is probably controlling a larger voltage swing, but there are the various imperfections of the switch element to consider, which can degrade your precious audio signal. Rate this link
- CMOS IC makes low-cost digital potentiometer - A growing trend in the design of electronic equipment is to replace analog knobs used to increase or reduce a continuous signal (such as volume or brightness) with "up" and "down" keys. However, replacing a low-cost analog potentiometer with a digital potentiometer can be costly. The low-cost circuit presented in this article can eliminate the analog potentiometer in many applications. The circuit is based on a 16-channel CMOS multiplexer/demultiplexer and a string of resistors. Rate this link
- Construction of a diy motorized volume control - Construction of a motorized potentiometer using a stepper motor for remote controlling/positioning of a standard audio preamplifier volume potentiometer (or whatever). Rate this link
- Convert voltage to potentiometer-wiper setting - This circuit converts an analog input voltage, VIN, to a proportional wiper setting of a DPP (digitally programmable potentiometer). The potentiometer's wiper setting, which varies from position 0 through 31, corresponds to the input voltage, which varies from 0 to 1V dc. Thedigital potentiometer used is CAT5114, a 32-tap potentiometer with an increment/decrement interface. Rate this link
- Digitally control gain over a ?40-dB range - digitally control an amplifier's gain over a ?40-dB range gain resolution of 1.25 dB Rate this link
- Digital Volume Control - based on DS1669 Digital Pot IC Rate this link
- Elektroninrn potentiometri - electronic potentiometer for audio, text in Finnish Rate this link
- Fixed Attenuators - Fixed attenuators can be designed to have either equal or unequal impedances and to provide any amount of attenuation (theoretically) equal to or greater than the configuration's minimum attenuation - depending on the ratio of Z1/Z2. Attenuators with equal terminations have a minimum attenuation of 0 dB. Unequal terminations place a lower limit on the attenuation. Rate this link
- Gain Control - Applications as disparate as test equipment, audio, medical imaging, and cellular base-station radios need to manage signal amplitudes in the analog domain. This article tells about those applications. Rate this link
- Inexpensive relays form digital potentiometer - build a digitally controllable isolated potentiometer which can tolerate voltages up to 60V dc Rate this link
- Improve FET-based gain control - One problem with standard FET gain-control circuits is increased noise when you use the FET as a part of a resistive attenuator in series with an op amp. When you substitute the FET for the gain-setting resistor in a noninverting op-amp circuit, distortion limits the circuit configuration to applications in which the input voltage is less than a few hundred millivolts. Rate this link
- Linear potentiometer implements logarithmic gain control - Trimmer potentiometers are ubiquitous components and are available in a variety of packages, resolutions, and temperature stabilities but none of these potentiometers implements anything but the usual linear function of resistance vs shaft position as useful in many audio applications. This fact makes trouble for applications that need a wide dynamic-adjustment range. Fortunately, you can use a circuit that approximates a logarithmic gain control using a standard linear-taper potentiometer. By using the wiper as an input terminal, you can use a standard linear-taper potentiometer to implement logarithmic gain control. Rate this link
- Nine Ways to Adjust Signal Level - This article describes few different ways to adjust audio signal level. Rate this link
- Op amp linearizes attenuator control response - Professional-audio equipment commonly uses Analog Devices' (www.analog.com) high-performance, quad-voltage-controlled SSM2164 attenuator. The control response is -30 dB/V, with 0V producing unity gain. Attenuation increases as the applied control voltage increases in the positive direction. This circuit extends the range of applications for this versatile chip by providing a simple means of linearizing the control response. The result is an amplifier with gain directly proportional to the control voltage. Rate this link
- Op amp linearizes response of FET VCA - FETs find common use in VCAs (voltage-controlled amplifiers) and attenuators, in which the FET serves as a variable resistance. A control voltage applied to the gate sets the channel resistance and overall circuit gain. You frequently need to select individual FETs because of wide spreads in FET characteristics. This circuit uses a master-slave servo technique with a matched-FET pair to implement voltage-controlled variable gain. In this circuit the gain increases linearly from -55 to 0 dB as control voltage varies from 0 to 5V. Rate this link
- Printer port activates CMOS switches - This cost-effective design provides control for CMOS switches without the need for an external power supply. Analog switches such as those in the MAX4663 are ideal for use in low-distortion applications. They are preferable to electromechanical relays in automatic test equipment or other applications in which you need current switching. The CMOS switches use lower power, consume less board space, and are more reliable than electromechanical relays. Rate this link
- Programmable-gain amplifier is low-cost - Numerous programmable-gain amplifiers are available, but a simple solution provides the option of using 256 gain steps with an 8-bit DAC and higher steps with higher bit DACs. Rate this link
- Single stage gives logarithmic gain steps - by placing a variable component in the positive feedback loop of an op amp, you can vary the gain of the stage logarithmically with respect to a linear resistance or conductance Rate this link
- Single switch controls digital potentiometer - The control of electronic potentiometers in most today's applications comes from controller-generated signals. However, a significant number of applications exist that require adjustments using manual, front-panel controls. This circuit uses one IC, one switch, and 10 discrete components. It implements the interface of a single DPDT, momentary-contact rocker switch to a DPP (digitally programmable potentiometer) that has a three-wire increment/decrement interface. Rate this link
- Single switch controls digital potentiometer - This Design Idea is an evolution and simplification of another. As the earlier design also describes, you can activate the DPDT rocker switch, S1, to produce either a "count-up" or a "countdown" effect at the digital potentiometer, CAT5114. Rate this link
- Tack a log taper onto a digital potentiometer - idea to convert linear digital potentiometer to a logarithmic digital potentiometer Rate this link
- Technical Secrets of the Crossfader - A crossfader is designed to predictably control the outputs of two separate mixer channels based on the relative position of the fader's knob between its endpoints. It's a simple sounding task but there are many different ways the job can be done, electrically and mechanically. This document describes some of the most commonly used ones. Most crossfader circuits are implemented in one of two basic schemes. Rate this link
- Variable-gain stage uses voltage-output DAC - A voltage-output DAC normally generates an output voltage that is a fraction of the input-reference voltage. In many designs, however, it is necessary to multiply the input voltage by a programmable gain, or, in other words, to create a variable-gain stage. You can easily implement a variable-gain stage using a low-cost voltage-output DAC and one operational amplifier. This no-buffer design minimizes noise and voltage offset, but you can use buffered DACs, too. An 80C51 ?C controls the DAC using a three-wire-plus-reset interface. Rate this link
- VISW 8 x 4 Stereo audio/video router Rate this link
- Voice-Over Circuit - swiches automatically from sound source to microphone when enough sound comes in from microphone Rate this link
- Voltage controlled amplifier - three different circuits Rate this link
- Voltage Controlled Audio Panner - variable gain amplifier circuit Rate this link
- MOSFETs reduce crosstalk effects on analog switches - Some cost-effective analog multiplexer/demultiplexer ICs, such as the CD4053 and CD4066, find frequent use as signal distributors. These digitally controlled analog switches have low on-resistance. However, with all channels in the same package, crosstalk can be annoying and unavoidable. The circuit presented in this article provides a cost-effective and viable method of solving this problem. Rate this link
Audio controlling circuits
- 3 KHz low pass filter plus audio amplifier - circuit uses a switched capacitor filter IC MF6-50 from National Semiconductor to filter signals with frequencies higher than the 3KHz needed for voice audio, pdf file Rate this link
- Adjustable 60Hz Filter - to filter out any HUM that may be picked up by a noisy power supply or long wire connection Rate this link
- A-Weighting Filter For Audio Measurements - design based on an old Ampex circuit Rate this link
- Basic Active Filter Circuit Blocks Rate this link
- Closing the loop deepens notches - Notch filters remove a single unwanted frequency from an input signal. They are also a vital component of pulse-shaping networks, such as time-averaging filters. Rate this link
- Design of Passive Crossovers Rate this link
- Five Band Mono Graphic Equaliser - basic mono unit originally designed for improving the apparent sound quality when dubbing video Rate this link
- A Basic Introduction to Filters - application note on active, passive and switched capacitor filters, document in PDF format Rate this link
- Active Filters - Butterworth, Bessel and Linkwitz filter example circuits and equations Rate this link
- Audio Graphic Equaliser - simple 7 band equalizer Rate this link
- Designing A Pocket Equalizer For Headphone Listening Rate this link
- Filters - examples of very many different filter types, good page for filter design information Rate this link
- Have Ya Ever Been Too High?? - filter that is intended to take the harshness off some sources of sound that have an upward response tilt, go to the end of page to find this circuit Rate this link
- LMC835 - Digital Controlled Graphic Equalizer IC, take also look at Rate this link
- Multiple Feedback Bandpass Filter Rate this link
- Musical Instrument (Expandable) Graphic Equaliser - standard equalizer plus bonus distortion unit Rate this link
- Notch Filter Rate this link
- Parametric And Sub-Woofer Equaliser - simple parametric equalizer circuit Rate this link
- Passive filters fill the bill at audio frequencies - Low-frequency filters, particularly at audio frequencies, usually take the form of active filters. These filters eliminate expensive inductors with windings of many turns. However, passive filters remain a viable option when you quickly need low-cost prototypes and test pieces. Rate this link
- Simple, Easy Parametric and Graphic EQ's, Plus Peaks and Notches Rate this link
- Subwoofer Equaliser Using The Linkwitz Transform Circuit - The Linkwitz transform circuit is a hugely flexible way to equalise the bottom end of a sealed loudspeaker enclosure. A speaker that is corrected using this method is flat from below resonance to the upper limit of the selected driver. The low frequency rolloff point is determined by the parameters of the transform circuit. Should the enclosure size be too small and cause a lump in the response before rolloff, this is also corrected. A conventional active crossover network is then used to divide the subwoofer signal from the main channel signals. Note that there is also a separate Rate this link
- Tone Control Circuit - classic Baxendall tone control circuit Rate this link
- Tone Control - based on TDA1524A tone control IC Rate this link
- Tone controls with 2x NE 5532 - check also Rate this link
- 24 dB/Octave 2/3-Way Linkwitz-Riley Electronic Crossover - The Linkwitz-Riley filter featured here has (almost) perfect phase-coherency, with no peaks or dips at the crossover frequency. The design is adaptable to 2-way or 3-way operation. Rate this link
- High-Performance Audio Applications of The LM833 - RIAA phono preamplifier stages and active crossover networks Rate this link
- Passive filters fill the bill at audio frequencies - Low-frequency filters, particularly at audio frequencies, usually take the form of active filters. These filters eliminate expensive inductors with windings of many turns. However, passive filters remain a viable option when you quickly need low-cost prototypes and test pieces. Rate this link
- Passive Line-Level Crossover - A passive line-level crossover (PLLXO) is a very good solution if you don't need circuits that are too complex circuits and can live with the insertion loss. Rate this link
- Renkus-Heinz Schematics - includes some crossover and speaker controller schematics Rate this link
- Schematics Of Various Tubed Crossovers Rate this link
- Subwoofer-jakosuodin(Subwoofer Crossover) - This filter is 24 dB/octave with frequency settings of 40, 50, 60, 70, 80, 90 Hz. This circuit is only the subwoofer low pass filter part. The description text of this circuit is in Finnish. Rate this link
- A Two Channel Noise Gate - Anlog Devices AN128 Rate this link
- Audio Amp Output Power Limiter Rate this link
- Audio compressor - A circuit for a single-channel audio compressor using a JFET to control the gain of a vitual earth amplifier. Rate this link
- Audio Limiting Circuits - This is a limiter circuit based on Silonex linear optocoupler. Rate this link
- Compressor applications for resistive optocouplers - This application note describes compressor circuit which uses Silonex optocouplers as the audio level controlling element. Rate this link
- Compressor using photoresistor - very basic circuit based on LED, LDR and OPAMP Rate this link
- Designing A Limiter For Headphone Amplifiers - When used with headphones - especially personal monitors, audio limiters (also called clippers) can help maintain safe listening levels. Without a limiter, large transients in audio signals could generate dangerous SPLs in headphones, although the average volume might be set at an acceptable level. Because a limiter is actually a specialized form of audio compressor, the circuitry of audio limiters can vary tremendously in complexity from a pair of diodes to multi-stage voltage controlled amplifiers with split frequency bands. Diode-based limiters are instanteous, simpler in design and have a more accurate loudness response, but suffer from distortion in the clipping region. Rate this link
- Dynamic Range Processor - this stereo unit allows the dynamic range of a signal to be increased (expansion) or decreased (compression) by a variable amount up to 3:1, based on the SSM2120 dynamic range processor IC Rate this link
- Dynamiikan laajennin/kavennin - This is an audio signal dynamics expander/compression circuit. The circuit is based on NE571 IC. The description of the circuit is in Finnish. Rate this link
- Fast Audio Peak Limiter Rate this link
- Q&D Compressor 2 - based on SSM2166 Rate this link
- Stereo Broadcast Limiter Circuit for Ramsey FM10A and FM25A transmitters Rate this link
- Teletronix LA-2A Leveling Amplifier - a vacuum tube-type leveling amplifier (more commonly known today as a compressor) for professional audio recording and broadcasting use originally made during the mid to late 1960s Rate this link
- Ultra Simple Bass Guitar Compressor - based on LDR connected to signal cable and lamp connected to speaker output Rate this link
- A Discrete FET Guitar Preamp - Runs off a 9v battery. Very high (3.0 Mohm) input impedance. Medium (6.0 Kohm) output impedance. 3 dB gain. Graceful overload. Overload happens; the circuit should clip gracefully and recover gracefully. Rate this link
- A D.I.Y. Guitar Effects Prototyping Board - A versatile DIY Guitar Effects Prototyping Board. The best way to experiment is by using a "breadboard". A breadboard is simply just some molded plastic with a series of openings 1/10" apart, connected in rows by metal clips on the underside of the breadboard. Since guitar effects circuits all have some things in common, such as input and output jacks, volume and/or gain controls, tone controls, etc., you can permanently mount the breadboard, some spare pots and jacks to a piece of wood and hard wire them to the breadboard. Also links to guitar stompbox circuits, guitar amps and other useful information related to electric guitar. Rate this link
- Analog Music Zone Guitar Effects Schematics - guitar effects, compressors Rate this link
- A Phase Shifter Effects Box - The object of this experiment is to design a phase shifter circuit for special effects audio signal processing. Rate this link
- Aron's Stompbok Page - Want to build your own Guitar Stompboxes? It's not that hard. It takes time and patience , lots of reading, and a few skills. Rate this link
- Digital Echo Unit - mono unit for producing special effects for amateur dramatics Rate this link
- Effect Rack Unit - contains very many guitar effect unit circuit diagrams Rate this link
- Effectronics Schematics - audio processing and effect circuits Rate this link
- FET Preamp Cable - Preamp Cable is a phantom powered discrete FET (Field Effect Transistor) preamp built into the plug of a guitar cable. It provides almost all the advantages of an on-board preamp. Rate this link
- Guitar Amplifiers - Guitar amplification is a specialised field, where much commonly understood theory does not apply, and little theory is published. Technically speaking, a guitar amplifier has a specific type of non-linear gain at its signal extremes, and a specialised type of limited frequency response. This article collection has lots of information on guitar amplifiers. Rate this link
- Guitar Amplifier Basics - This document tells about the technology of guitar amplifiers. Rate this link
- Guitar Amplifiers Overdrive & Distortion Effect Circuits Rate this link
- Guitar Effects Boxes - guitar effect schematics and articles Rate this link
- Guitar Effec Circuits - Wah, Fuzz and sustain circuits Rate this link
- Guitar Fuzz Effect - very compact circuit Rate this link
- Guitar Reverb Pedal - circuit for a guitar spring reverb pedal, it has dry, wet, and drive controls for a wide variety of sounds Rate this link
- Guitar-related Circuits - effect circuit collection Rate this link
- Guitar Vibrato Unit Rate this link
- Harmony Central - contains effect information, Rate this link
- Humbucking & Noise-Reducing Electronics for guitars Rate this link
- Musical Instrument (Expandable) Graphic Equaliser - standard equalizer plus bonus distortion unit Rate this link
- Not Just Another Headphone Amp - This is a simple battery-powered musician's practice and monitoring amplifier for guitarists. Rate this link
- Skills, Tips and Tricks; How To Build Guitar Effects Rate this link
- Slew Rate Control - A circuit that limits the rate of change of a signal; a feature of this design is that the positive and negative rates can be different. Rate this link
- Spring Reverb Unit For Guitar Rate this link
- Stage Center Reverb Unit - simple spring reverb unit Rate this link
- The GEO-Fex collection of vintage and new-design effects and musical related DIY Rate this link
- The Guitar Effects Oriented Web Page - FAQs and circuit diagrams Rate this link
- The Guitar Effects Oriented Web Page - Home of the Guitar Effects FAQ, the Tube Amp FAQ, the Tube Amp Debugging Page, and "The Technology of" effects series. Rate this link
- The Technology of the Tube Screamer - The Tube Screamer series of distortion/overdrive boxes from Ibanez has a reputation that has led them to pass into musical urban myth. Helped along with Stevie Ray's use of them, the TS 808 and TS 9 have been sought after and traded up to astronomical prices. All the members of the TS family share a common technical design, with the similarities vastly overwhelming the differences. This document describes the technologies used in them. Rate this link
- The Technology of Wah Pedals - The stock "wah" pedal has been around since at least the early 60's. This thing produces a distinctive tone that is well loved by the expressive guitarist. What a wah does is clear - it is either a bandpass filter or an overcoupled lowpass filter that exhibits a resonant peak just at its lowpass rolloff frequency. The resonant peak can be moved up and down in frequency by the player, and this makes for a striking emulation of the human voice making a "waaaah" tone, or its tonal inverse, "aaaooow". Rate this link
- The Blue Guitar Schematics Page - Guitar Amps and Mods, Guitars and Effects Rate this link
- First Homemade Pickup Rate this link
- The Truth About Vocal Eliminators - sometimes a vocal can be removed almost completely, but just as often the results are disappointing, just information without circuit diagrams Rate this link
- Philips' Dynamic Noise Limiter - This four transistor circuit is claimed to be developed by Philips to improve the subjective signal-to-noise ratio of cassette reproduction. It works on playback only and therefore can be used with any source material. Indeed, it can improve the sound of not only tape playback but any source where broadband noise (hiss) is troublesome - noisy radio signals are examples. Rate this link
- Build A Stereo Synthesizer - different frequency ranges appear at the two outputs, depending on the setting of the controls and create a stereo effect Rate this link
- Burwen audio processor documentation - dynamic noise filter and eliminator circuit diagrams Rate this link
- Digitally Control Phase Shift - Altering the phase response of a signal without changing its amplitude characteristics is commonly performed using an allpass filter. This circuit implementation is well suited to using digital potentiometers as the controlling element. Rate this link
- Dimension Control - This circuit controls the "wideness" of the stereo signal. Rate this link
- Mixed feedback drive circuits for audio output transformers - technical paper from Rate this link
- Square wave to sine wave converter circuit Rate this link
- Stereo Width Controllers - vary the width of the "sound stage" when listening to stereo recordings Rate this link
- Synthfool - many musical instrument and effect circuit diagrams Rate this link
Filters and effects
Equalizers and filters
Crossovers
A crossover is a device designed to divide audio information into smaller frequency ranges to comply with the requirements of different transducers in an audio reproduction system. This is accomplished by running the audio through a set of filters. Crossovers can be passive or active designs. Passive crossovers are usually found inside speaker cabinets along with the speaker components. These often connect to the outside world via a single jack, but sometimes each speaker component also has its own jack in case one wants to bypass the built in passive crossover. Active crossovers are placed before the power amp. In that application each frequency range is given its own power amp and its own drivers.
Compressor/limiter
An audio compressor serves to reduce (or compress) the dynamic range of the input signal, keeping the level more constant, so that it may be more clearly heard above background sounds, whether they be noise or accompanying musical sounds. An ideal compressor introduces little distortion and noise when it is inactive, and controls the audio level in a way that is pleasing to the listeners ear.> An audio limiter serves to prevent the signal level from exceeding a preset limit, and as such is often used to protect a following device from overload. These can include recorders (both analog and digital), transmitters and power amplifier / loudspeaker combinations. An ideal limiter introduces very little distortion or noise when it is inactive, and controls the audio level in a way that is pleasing to the listener's ear, while keeping tight control over the output level.
Guitar effect boxes
Electric guitars use usually stronger in voltage than a microphone and yet lower than a line-level signal.Typical voltages for these signals are roughly 1 volt for line level signals, and maybe 100 millivolts for a microphone (depends on the microphone type). The voltage off an electromagnetic guitar pickup can be a healthy 2.0 Volts or so peak-to-peak if you're playing hard. The impedance of that signal varies greatly over the frequency spectrum and a high impedance signal can be damaged interfacing to the outside world. The load capacitance of a guitar cord can attenuate the high frequencies and lower the tuning of the resonant peak of the pickup. When selecting the cable from guitar to amplifier the important thigns to consider are the big issues are the capacitive loading of the inductive pickup, how wel the cable is shielded and hot well it can take the hard stage use (both connector and cable material quality). The guitar cords are typically 10-15 feet long, longer cables can be sometimes used. It's not like there is a length where it's suddenly too long. Whether recording or otherwise performing, the answer is when your ears tell you that the cable length is resulting in unacceptible high frequency loss or other sound quality problem.
The input impedance of a guitar amp, mixer or effects boxes can attenuate or distort parts of the guitar signal. And because the guitar signal is not very robust, external noise sources and grounding can become serious problems. The guitar's volume control further increases the output impedance, multiplying the problems. A preamp can address these problems by acting as a buffer, providing the guitar pickup with an optimal high impedance load and driving the cable, effects boxes, and amplifier with a robust signal. Most guitars do not have preamplifiers in them. The input impedance of a proper guitar amplifier is high, usually in order of hundreds of kilo-ohms. Some sources even say that 1.0M ohm is the minimal acceptable input impedance for a guitar device. Electric guitars are generally know to pick up electrical noise easily. The reason for this is typically that the system is high impedance (noise gets easily through cable if not very well shielded) and the magnetic pickup system can pick up external magnetic field (for example from nearby transformer). If your electric guitar is picking up lots of noise, then first check that the cable is in good condition and constructed well from goof materials. If this is not the problem, then it is possible that the pickup is badly designed, or ungrounded, or unshielded, or needs to have an unbalanced-to-balanced transformer.
When you need to get the guitar signal long distance from the guitar amplifier to PA system, you need a proper DI box to do the job. An active direct box would probably help the most. A good transformer-based direct box can buy you a lot.
Vocal elimination
Noise limiter / noise gate
Misc effects
- Simple Surround Sound Decoder - three simple surround decoder circuit ideas Rate this link
- Surround Sound Decoder MK1 - designed to extract the rear channel from Dolby-encoded film soundtracks, very simple design Rate this link
- Surround Sound Decoder Mk2 - fully featured surround decoder Rate this link
Surround sound
- Andrew's S/PDIF Stuff - S/PDIF converter circuits Rate this link
- Coaxial S/P-DIF output for the DTC790 - For this modification you have to things to your DAT recorder that surely void your warranty but will add coaxial S/PDIF interface to it. Rate this link
- Optical output for Creative Infra CD-ROM - little circuit to connect your MD or DAT to your CD-ROM drive with standard optical S/PDIF cable, based on TOTX173 Rate this link
- SPDIF RCA to (Optical + RCA) Adapter Rate this link
- A SCMS killer circuit - should work with all DAT decks that have a Sony CXD2601 signal processor, published in September 1992 in "Stereoplay", also available at Rate this link
- Copybit deleter - sets the copybit in digital audio signals to enable copying of digital recordings Rate this link
- Defeat SCMS page - SCMS removing circuit for Sony DTC790 DAT recorder using a circuit designed for recorders with a CXD2601 chip. Rate this link
- CS8420 is asynchronous sample rate converter chip datasheet - includes example circuits, pdf file, check also Rate this link
- Common AC-3 RF Circuit Designs - The following circuits are three popular AC-3 buffer designs used in most laserdisc players currently on the market. Since all the designs are simple variations of an emitter-follower, these circuits act as current buffers with the ability to change the DC level for muting. Rate this link
- DIY Dolby Digital Modification Page - Do-It-Yourself Dolby Digital (AC-3) Laser Disc Player Modification Page Rate this link
- The d-box in a better look - Everything described here relates to the Mediamaster?? 9200, 9500 and 9600 as well as to the d-box?? available until december 1999. This page described how to add S/P-DIF Output to this DTV box. Rate this link
- 120 Second Voice Recorder - Record as many messages as you can in this modern, non- volatile, combined audio processing & memory chip from Information Storage Devices Rate this link
- Digital Delay Unit For Surround Sound Rate this link
- Passive circuit monitors AES data - you can display the data waveform on an oscilloscope easily with this circuit Rate this link
Digital audio circuits
S/PDIF
NOTE: The digital output of a typival PC CD-ROM is generally at TTLlevels, roughly 0 and 5 volts. This is different from SP/DIF standards, which are +/- about half a volt. However, many SP/DIF inputs include means for eliminating themismatch in DC levels and they can also easily withstand the extravoltage.
SCMS
Signal conversion
Equipment modifications
Audio recording/playback
Misc
- -30dBm to +30dBm Audio Level Meter - circuit with balanced input and adjustable gain to drive needle type VU meter, uses special amplifier module from Rate this link
- Audio Millivoltmeter Rate this link
- Audio Output Level Meter - This unit is designed for monitoring the audio output level across a loudspeaker when carrying out alignment of radios. Rate this link
- High-resolution volume-unit meter simplifies CD recording - CD digital-recording decks typically have peak-reading-only volume-level meters. This feature is adequate to prevent clipping but does a poor job of reading the average volume, or loudness, level. A high-resolution, average- (not peak-) reading volume-unit meter produces an accurate reading of loudness. Rate this link
- LED Audio VU Meter - logarithmic scale with 3 dB steps, based in LM3915 IC Rate this link
- LM3916N bar graph driver - datasheet in pdf format, drives a 10 LED bar graph with VU proportions (3dB/step) Rate this link
- Peak Reading Audio Level Meter - indicates peak audio response on an analogue meter, similar to a tape recorder recording level meter Rate this link
- Simple circuit forms peak/clipping indicator - This simple peak detector is the result of a need for a single-5V-supply, level/clipping indicator for a multimedia-PC sound system. The design is unique in that it detects both stereo channels on a single peak-hold capacitor. All the adjustments in the circuit simultaneously apply to both left and right stereo inputs. The output is suitable for driving a bar-graph display or for analog-to-digital conversion and display with a microprocessor. The circuit operates as a dual positive-peak-detector circuit. Rate this link
- Sound Level Meter - one chip replacement for the standard analog meters, based on LM3915 audio level IC Rate this link
- Stereo VU Meter - A simple, low cost stereo VU meter that uses two LM3915 dot/bar display driver ICs to drive 2 rows of 10 LEDs moving bar display, pdf file Rate this link
- Three-Level Audio Power Indicator - Battery-operated 3 LED display that connect it to loudspeaker output Rate this link
- Understanding Peak-Reading Meters - includes one example circuit diagram Rate this link
- VU And PPM Audio Metering - circuits using analogue needle meters Rate this link
- VU Meter - 5 led VU meter, in pdf format, includes circuit board, text in Finnish Rate this link
- VU Meter Amplifier Rate this link
- Stereo VU Meter - This is a very eye appealing audio accessory. Displays an approximate output level for each channel of a stereo amplifier. Connects to the speaker terminal; levels are displayed in ten steps. User may select either a moving dot bar appearance. Uses two LM3915 IC's; includes a discussion of measuring audio power. Rate this link
- 0... -40 dB VU meter by Archy - 40 LEDs a channel! 1 dB apart. Rate this link
- Room Noise Detector - One LED monitors three levels: 50, 70 & 85 dB Rate this link
- ABX Double Blind Audio Tester - This project describes the construction of test equipment for double-blind or ABX testing of source components - preamplifiers, tuners, DACs etc. or even, if that is your particular vice, interconnects. Double-blind and ABX tests do not allow the listener to know which component they are listening to, and furthermore don't allow the test controller to know either. This guards against visual cues to the audience (including body language). Rate this link
- Build a Microphone Polarity Tester Rate this link
- Building the L-R Test Set - helps you to set up left/right channel balance on audio broadcasting ystems Rate this link
- Linkwitz Cosine Burst Generator - part of speaker measurement set described in the construction article Rate this link
- Microphone Circuit Test Oscillator - 440 Hz tone generator for testing XLR microphone lines Rate this link
- The ESP SIM (Sound Impairment Monitor) - a method of determining just how much your amplifier modifies the original signal Rate this link
- Distortion Analyser - filters needed in distortion measutements Rate this link
- Distortion Analyser - Total harmonic distortion (THD) measurements are one of the most commonly quoted in audio. Contrary to belief in some circles, these can be very useful if performed properly, and reveal much about the overall performance of an amplifier. There are a number of ways to measure distortion, none of which is perfect. The standard tool for measuring THD is a notch filter. This is tuned to reject the fundamental frequency, and any signal that gets through is a combination of the amplifier's noise (including any hum) and the distortion. Rate this link
- Power Amplifier Clipping Indicator - At some stage, we will all find ourselves pushing hi-fi equipment just a little too hard, and if lucky, will just find that the sound has become "dirty". If this happens too often or is too severe, tweeters are the first to go - they are damaged by the excessive power generated by a combination of "power compression" and the harmonics created when an amplifier clips. What is needed is a simple and reliable way of detecting that the amplifier is clipping (or so close that we have no margin for error). Well, search no more, because here it is. Rate this link
- Pre-Distortion Techniques: Build a Tape Linearizer and a Distortion Analyzer Rate this link
- Self Oscillating Amplifier for Distortion Testing - allows the home constructor to make quite accurate measurements, without having to spend a lot of money on a low distortion oscillator Rate this link
- 3 Channel Spectrum Analyzer - This 3 channel 15 LED spectrum analyzer can be used as an addition to any audio amp project. It produces fantastic displays on three LED bars that can be individually adjusted for any particular frequency range. Rate this link
- DIY Speaker Testing Microphone - The whole process for building this mic yourself should take under an hour, but you'll need a few things. Rate this link
- Measuring Input and Output Impedance - input or output impedance of any two terminal network or electronic equipment can be determined by measuring the small signal ac currents and voltages Rate this link
- Simplified Measurement of Output Impedance - suitable for measuring audio circuits Rate this link
- Spectrum Analyzer and Equalizer Designs - for audio frequencies, article first appeared in the February 1982 issue of Recording-engineer/producer magazine Rate this link
Measuring
VU meters
Decibel meters
Filters needed in audio mesurements
The problem of measuring audibility of sounds is complicated by the nonlinearity of human hearing. The frequency dependence of human hearing is described by the Fletcher-Munson Curves. The Fletcher-Munson Curve explains the non-linear response of the human ear ensitivity to pure tones, but in practice, many sound sources are anything but pure. The apparent loudness of a frequency mix is not necessarily a simple combination of responses to individual frequency bands.Owing to the complexity of operation of the human ear, it is not possible at present to design an objective noise measuring apparatus to give results which are absolutely comparable, for all types of noise, with those obtained by subjective methods.In an attempt to account for human hearing sensitivity in a standardized way so that measurement instruments can be compared, the International Electrotechnical Commission (IEC) issued Standard IEC 651 (1979). This standard identifies four application types (types 0 through 3) and three weighting curve characteristics (A, B and C). Historically, the A, B, and C weighting networks on a sound level meter were derived as the inverse of the 40, 70 and 100 dB Fletcher-Munson curves and used to determine sound level. The lowest curve repesents the threshold of hearing, the highest the threshold of pain.The A-weighting characteristic is most widely used, and though originally intended for low-level sounds, it is commonly applied to higher sound levels as well.
Testers
Distortion measurements
Other measuring circuits and notes
- Burwen TNE7000 Transient Noise Eliminator - Schematics and Lineup Instructions Rate this link
- Burwen DNF1201A Dynamic Noise Filter - Schematics and Lineup Instructions Rate this link
- Infrared Head Phones - Using this low-cost project one can reproduce audio from TV without disturbing others. In place of a pair of wires, it uses invisible infrared light to transmit audio signals from TV to headphones. Rate this link
- Laser Link Communicator - audio transmission up to few hundred meters Rate this link
Special equipments
- A Better Volume Control - use linear potentiometer and one tran resistor to make almost logarithmic response curve Rate this link
- Amplifier Thermal Protection and Shutdown Circuit Rate this link
- Amplifier Timer - Turns-off your amplifier when idle for 15 minutes, fed by amplifier tape-output Rate this link
- Ask the Applications Engineer - a collection of articles from its "Analog Dialog" newsletter in pdf format from Rate this link
- Circuit combines power supply and audio amplifier - This circuit can helpful if you must transfer dc power and audio over a pair of copper wires. The circuit uses only one IC, the well-known LM317, a low-cost power-supply regulator. Using this chip, you can modulate the adjustment-pin input with the audio signal from an electret condenser microphone, connected between the output and the adjustment terminals of the IC. Rate this link
- Class A Amplifier Design Rate this link
- Class D audio-power amplifiers: Interactive simulations assess device and filter performance - Class D amplifiers are much more efficient than other classical amplifiers, but their high efficiency comes at the expense of increased noise and distortion. You can assess the frequency- and time-domain characteristics of a Class D amplifier, including the output filter, using online simulations. Rate this link
- Class-T Digital Audio Amplifier Evaluation Board using Digital Power Processing Technology EB-TA2020 from Tripath Technology - This application note describes a diigtal amplifier which operates from 13.5V power source and outputs up to 20W por channel power. The application note is in pdf format. Rate this link
- EDN ears-on project: Listening to Class D - You needn't look further than Class D audio amplifiers to find a technology whose proponents tend toward exuberant advocacy at best and bald-faced hype at worst. Although these ICs are not yet the be all and end all of audio amplification that their makers would have you believe, they are remarkably good-certainly more listenable than the clamor about them. Rate this link
- George Krilov audio schematics page - page is about transistor audio power amplifiers, contains articles about power amplifiers shematics, design, construction and SPICE simulation, page is partially in English and partially in Russian Rate this link
- Guitar Effects FAQ Rate this link
- Jensen Transformers Application Schematics - many practical circuit ideas using audio transformers Rate this link
- Load Sensing Automatic Switch - apply power to the entire audio system by turning on one item, simple circuit Rate this link
- Loudspeaker Protection and Muting - information and circuits Rate this link
- Main principles of amplifier wiring - how to wire operational amplifier circuits Rate this link
- Mixed feedback drive circuits dor audio output transformers - using feedback eliminates transformer distortion and primary resistance Rate this link
- NE555 drives a speakes: Pulse Width Modulation Amplifier Rate this link
- Proper Grounding Inside Equipment Avoids Ground Noise Coupling (aka"Pin 1 Problems") - 15KB PD Rate this link
- Removing the "DC Thump" from Audio Circuits Rate this link
- Signal Detecting Auto Power-On Unit - switches on relay when detects sound input Rate this link
- Sheldon's Audio Designs - audio DACs and tube amplifiers Rate this link
- Simplest Ever Amplifier Bridging - a design for a simple add-on bridging adapter for stereo power amplifiers Rate this link
- Simulation Electronique SPICE - some hifi circuits and simulation of them using SPICE, text in French Rate this link
- Soft-Start Circuit For Power Amps - redusces the current spike large transformers take when switched on Rate this link
- Subtleties count in wide-dynamic-range analog interfaces - transporting high-dynamic-range analog signals from one piece of equipment to another is not a trivial task, this article gives some help to it Rate this link
- The ALTMANN "SPLIF" Amplifier Topology - something about how to get some of the feedback out of our HIFI amplifiers Rate this link
- Thermo-Fan To Keep Your Amp Cool - fan controller which controls fan based on temperature Rate this link
- Using Current Sources, Sinks & Mirrors In Audio - Integral to most audio amplification systems, the current source and current sink are indispensable. Rate this link
- Variable Amplifier Impedance - idea of being able to vary the output impedance of a power amplifier Rate this link
Design ideas
- "Anti-RIAA" Equalizer for Line to Mag Phono Converter Rate this link
- JT-11P-1 used as Unbalanced Polarity Inverter - passive transformer based audio signal inverter circuit Rate this link
- JT-11P-1 Unbalanced Automotive or Consumer Application Rate this link
- Model Train Diesel & Horn Sound Module Rate this link
Misc circuits
Audio chips
Here you can find links to some ICs which mightr be useful in audio projects.
A/D and D/A conversion
Audio controlling
Recording and playback
Digital audio transmission
- High-voltage circuits for electrostatic microphones - circuits that can generate the required high-voltage for electrostatic microphones used in bat detectors, circuit can be used to generate a voltage of about 70V using a current of about 4 mA at 6V input voltage Rate this link
- Making Cordless Headphones - This project is based on one pair of Realistic voice actuated fm tranceivers Model TRC-500 Cat#21-400 or a similar system. Rate this link
- Mains voltage filter and isolator - A good clean voltage source for your stereo does help with the sound quality. This is a simple power line conditioner. There are three outputs. The first output is an isolated one which will be used for noisy products like cd players.The second output is through a low pass filter(20KHZ),for products like turntables. The third is a straight through with no filter,for high current products like amplifiers. Rate this link
Other related links
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